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II: Cri de C​œ​ur

from Sonata for Violin and Piano by Thomas Little



Literally "cry of the heart," this movement takes the scales from the first movement and elaborates them in the violin, while the piano comes to grips with its muted notes. The titular cries are in the violin's quarter-tone pitch bending on the way down from its highest note, which trigger a muted sonority in the piano.


from Sonata for Violin and Piano, released December 19, 2018


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Thomas Little North Carolina

Composer and pianist originally from North Carolina. YouTube's “Classical Nerd.” Getting his PhD in Composition at the University at Buffalo. Occasional mushroom hunter.

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